Julia Hastain



SOAKED CERTAINS
EVERYTHING AN OMEN OF TOUCH



returning the verbiage to color drips

the slit that lingers above

the fetus

to reveal the taste of vibrant


your kidney now that the beam has entered


recollection is contextual


beat filled sores and store fronts

cached with violent ultraviolet


posture as hypnagogic electromagnetism

pure absorption


mescal in the kiva

where intuition consumes all motion



the refusal to know

allows one in essence



become these variations of the calyx
where obedience becomes
the first thing noticed upon entering








BLOODVAULT
EVERYTHING BROKEN IS TRUE



she was first seen trudging through the heaps of snow
dragging a secreting
vibrating
human heart behind her

the heart that was still connected to her body
through ventricles coming up from her mouth
as if she had vomited them from her internal spatialities

she pulled this weight along the snow
leaving markings and designs

she exported gargantuous audibilities
grunts and sibilances
relative to the heaving it took to pull this
the integrality of her

moving along the edges of the heaps at first
then cylindrically
as if following some pulse
toward a liquid center






once at the center she would sit down
and witness what surrounded her

amaranthine mandalas
developed by her own dragging

she would reach for the heart
then realizing its distance from her
she would lug it toward her
by pulling at the ventricles that connected her to it

once in her hands
she would slowly chew the tip of one of its ventricles
then swallow
while squeezing the heart in her hands
releasing some of its hemolytic
onto her white packed lap






“i’ve known the jungle
the pulse adumbrations
and the seamless acts
of one’s own orderly righteous death

because through
nocturnalization
all at once the objects
that seethe in
to consume me
one conjunction at a time”

she would say









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